Dublin Calling: A robust support system, stunning landscapes, and a wave of homegrown talent propel Ireland’s film industry to new heights.
“You can literally film anything you want here,” declares veteran Irish producer Tristan Orpen Lynch with a wink. “Okay, maybe desert scenes are a stretch, but we’d give it a go!” This lighthearted quip encapsulates the buoyant spirit coursing through Ireland’s film industry. A perfect storm of opportunity and unwavering government support has propelled the Emerald Isle to a position of global prominence.
The catalyst? A generous tax break scheme – a 32% rebate on productions exceeding a $84 million spend (converted from €75 million) – has unlocked a treasure trove of international co-productions and local gems. But this boom is more than just fiscal allure. Decades of investment in training, infrastructure, and a deep respect for the arts have laid the groundwork for this golden age.
Numbers Don’t Lie: A Record-Breaking Run
2021 witnessed a staggering 40% increase in local film spending, reaching a record-breaking $567 million (converted from €500 million). Fast forward to 2023, and Ireland shattered Oscar nominations with a record-breaking 14 nods. This year, the success continued with Cillian Murphy’s Best Actor win and the four-ganger triumph of Element Pictures’ “Poor Things,” lensed by acclaimed Irish cinematographer Robbie Ryan.
Irish-language cinema is also making waves. “An Cailín Ciúin” (The Quiet Girl) became the first Irish-language film nominated for an Oscar, while “Kneecap” became the first such entry at Sundance. Additionally, Cillian Murphy’s “Small Things Like These” inaugurated the Berlinale.
A Legacy of Support: From Boom to Bust and Back
This success story owes much to foresight. “It all goes back to the reestablishment of the Irish Film Board (now Screen Ireland) in the 90s by President Michael D. Higgins,” explains Orpen Lynch, a former board director. “He prioritized film, and despite hiccups like recessions and pandemics, the government has remained committed.” He recalls a pivotal moment when government support wavered: “We had a Finance Minister threatening to cut tax credits. The entire industry rallied – even Bono got involved! It was a national crusade.”
Screen Ireland’s unwavering faith is evident in its record-breaking $47 million budget for 2024 (converted from $42 million). In January, they unveiled a diverse production slate encompassing features, TV dramas, animation, documentaries, and shorts. Notably, 38% of their 2023 projects were helmed by rising stars – directors and screenwriters making their mark.
“Empowering new voices is crucial,” emphasizes Screen Ireland CEO Désirée Finnegan. “We offer pathways through skills development and a network of talent academies nationwide. This year, half our slate boasts debut film directors.”
Beyond the Greenbacks: A Talent Pool Brimming with Brilliance
Financial incentives are just one piece of the puzzle. Screen Ireland’s tax breaks, since 2019, mandate projects to invest in skills development – a boon for both seasoned and fledgling professionals. David McLoughlin, producer at Metropolitan Films International, highlights the caliber of Irish crews: “Ireland boasts a highly trained and internationally experienced crew, including top-tier department heads.” This versatility extends to locations, enthralling even seasoned filmmakers. “There’s so much of Ireland yet to be showcased,” says “Bad Sisters” director Dearbhla Walsh. “Even the Midlands hold a certain romanticism, perfect for doubling as other locations.”
Irish Accents Take Center Stage
Ireland’s rise as a filming hub coincides with a surge in Irish accents on screen. “There are definitely more and more,” observes Walsh. “Look at Andrew Scott in ‘All of Us Strangers.’ They addressed his accent in the script, which worked brilliantly. People aren’t shying away anymore.” This trend extends beyond the Emerald Isle. “When an Irish accent pops up in an international story now, it has positive connotations,” she adds.
