Paramount Moving Forward With Ferris Bueller Spinoff
First reported by the newsletter The InSneider and confirmed by The Hollywood Reporter, the studio has set David Katzenberg to direct Sam and Victor’s Day Off. Like Ferris Bueller, the upcoming spinoff will take place over a single day, following the two titular valets who borrow the Ferrari belonging to Cameron Frye’s (Alan Ruck) father in John Hughes’ original 1986 film. Katzenberg is best known for serving as a director and executive producer on the ’80s-set television series, The Goldbergs, and producing Warner Bros.’ Stephen King adaptation, It (2017).RELATED
Sam and Victor’s Day Off was initially reported in 2022, with Cobra Kai creators Jon Hurwitz, Hayden Schlossberg, and Josh Heald attached as producers. “The three of us are suckers for side characters in general and love to see what’s going on in their worlds, so that’s going to be a fun one when we get to it,” Hurwitz said when the project was first announced.
While plot details remain scarce beyond the initial premise, Sam and Victor’s Day Off will seemingly flesh out the lives of the titular valets, who went unnamed in the original film and were portrayed by Richard Edson and Larry “Flash” Jenkins. As for fans worried that the spinoff will ruin Ferris Bueller, Hurwitz promised that Sam and Victor’s Day Off “isn’t looking to touch or mess with Ferris Bueller’s Day Off in any way.”
Ferris Bueller Is a Classic ’80s Movie
Written and directed by Hughes, Ferris Bueller’s Day Off follows the title character, played by Matthew Broderick, who ditches school with pal Cameron and girlfriend Sloane (Mia Sara) in the hopes of having a day of adventure in Chicago. The movie was a critical and commercial success, grossing $70 million during its theatrical run. Sam and Victor’s Day Off will be the second expansion of the franchise after the short-lived 1990s television series, Ferris Bueller, which saw Charlie Schlatter as the title character and notably featured a pre-Friends Jennifer Aniston as his sister, Jeanie.
The longest-operating film studio in Los Angeles is now for sale—offering not just a rare slice of industry real estate, but a stark test of the current demand for production space in Hollywood’s post...
In response to a dramatic slowdown in scripted television production across Los Angeles, major soundstage owner Hackman Capital Partners is taking a bold new direction — opening facilities to social m...
In a significant move that further cements Georgia’s status as a film and television production powerhouse, the Georgia Film Academy (GFA) has announced a new partnership with Assembly Studios that wi...
High-volume drama, rapid production, and local filming set the series apart
As streaming giants recalibrate for a post-peak TV era, Max’s The Pitt has quietly established itself as a prototype for a ...
Paramount’s ‘Y: Marshals’ Leads $57M Production Wave in the Beehive State
A wave of fresh productions is heading to Utah, as the state doubles down on its film incentive strategy. Among the newly app...
In the middle of the U.K.'s surging production boom, one company has quietly become indispensable to some of the world’s biggest blockbusters. Clear Angle Studios, a global leader in 3D capture and ph...
It took 18 months, but the second shoe has finally dropped. After months of watching news outlets, authors, and niche publishers sue AI companies for training models on copyrighted work, two of Hollyw...
Walmart has officially thrown its hat into the virtual production ring with the launch of its new state-of-the-art TV studio—complete with a 32-foot curved LED wall—located at the heart of its newly o...
Sydney’s screen sector is gearing up for a major expansion—and it’s not happening in the city’s glitzy east.
Plans for a $127 million film and television production complex in Oran Park, located in Sy...
From tentpole blockbusters to fast-turnaround streaming hits, the Universal Costume House remains one of the industry’s premier destinations for wardrobe and styling. With facilities in both Los Angel...