Georgia Film Subsidy Creates Fewer Jobs Than Industry Claims, Audit Finds
The Georgia film and TV tax credit creates 34,354 jobs per year, according to a new state audit of the program — about half the figure reported by an industry-funded study last month.
The audit also concluded that the credit — which increased to a record $1.3 billion last year — returns just 19 cents to state coffers for every dollar spent.
“Consistent with studies of other state film tax incentives programs, the State of Georgia loses money,” the audit concluded.
The audit, which was released on Thursday, comes as Georgia lawmakers are conducting a top-to-bottom review of tax incentives across all industries. A joint committee of the state’s House and Senate is set to issue its own report by the end of the year.
“The report is in the process of being drafted and finalized by the committee, and will be posted online in the coming weeks,” said Stephen Lawson, an advisor to House Speaker Jon Burns.
The General Assembly is expected to consider potential changes to its tax incentives during the coming session.
The local film and TV industry is gearing up to defend the Georgia credit, which is the largest in the nation. The next largest is in New York, which recently increased its film incentive to $700 million per year.
In November, the Georgia Screen Entertainment Coalition issued its own study, which found that the tax credit generates $6.30 in economic activity for every dollar spent.
“This study proves the film tax incentive is working exactly as intended,” said Kelsey Moore, the executive director of GSEC, in a statement last month. “It’s created high-paying jobs for Georgians, supports thousands of new and existing small businesses and attracts billions in production spending and investment each year.”
The industry study found that the tax credit supported 59,700 jobs in the 2022 fiscal year. The report also concluded, based on stakeholder surveys, that 92.1% of film and TV production spending in Georgia would disappear if the tax credit did not exist.
“The tax credit was identified as the most important factor in decision-making for producers when compared with factors such as cast, crew, infrastructure, and locations,” the report found.
An earlier audit faulted the state Department of Economic Development for overstating the economic impact of the tax credit, finding that the agency often recycled industry statistics.
The film tax credit enjoys bipartisan support in Georgia. An effort in 2022 by the state Senate Finance Committee to cap the credit at $900 million a year was quickly thwarted by industry supporters, who warned that imposing a limit would prompt the industry to abandon the state.
The General Assembly did tighten up the controls on the program in 2020, after another state audit found that it was “ideal for fraud.” Among other things, the audit found that productions were improperly claiming tax credits on out-of-state expenses and for expenses that were not linked to production.
All productions are now required to get audited before their tax credits are granted. The GSEC report found that since the new requirement went into place, the rate at which expense claims are disallowed — because they are ineligible — has more than doubled.
The disallowance rate was 2.28% in fiscal 2020 and rose to 6.01% in fiscal 2023. In 2016, the rate was less than 1%.
From tentpole blockbusters to fast-turnaround streaming hits, the Universal Costume House remains one of the industry’s premier destinations for wardrobe and styling. With facilities in both Los Angel...
Mark Duplass is done waiting for the streamers to come around. Instead, he’s building a new path—one project at a time.
As the traditional television ecosystem continues to contract and consolidate, ...
At a time when U.S. production incentives remain fractured and fragile, Netflix’s Greg Peters is pointing across the Atlantic for inspiration.
Speaking at the Wall Street Journal’s CEO Council event ...
Paramount Global has initiated yet another round of layoffs, this time trimming 3.5% of its U.S. workforce—amounting to several hundred employees—as the legacy media giant continues to grapple with sh...
Los Angeles doesn’t let go of its icons easily—but even soap operas need to pack up eventually. After 38 years and over 9,600 episodes at CBS’s Television City, The Bold and the Beautiful is officiall...
Warner Bros. Discovery is splitting into two companies—one for streaming and studios, the other for global networks. It’s not just a reorg. It’s an admission: in this market, scale without focus is a ...
In the escalating arms race for global production dollars, Mexico has the locations, the crews, the infrastructure — but it still lacks one key weapon: competitive incentives.
While international pro...
In a key move to revive California’s flagging production economy, the State Senate on Tuesday passed a bill that would significantly expand eligibility and boost benefits under the state’s long-standi...
As major studios continue to reconfigure their production pipelines and streaming platforms scale back in high-cost markets, Louisville, Kentucky, is quietly positioning itself as the next major playe...
Western Australia is stepping up its game in the global production race. Starting July 1, Screenwest will double its post-production, digital, and visual effects rebate to 20%—now the most generous po...